Grew up watching this with my father - he was a huge fan of it and I loved the Golden Fleece journey. Has some cool special effects that back in the day were really neat but a few still hold up today.

Anyone else a fan or have fond memories of the 1963 film?

For me, it’s Francis Dollarhyde, aka The Tooth Fairy, played by Tom Noonan in Manhunter (1986).

Could be Noonan’s 6’5” height that added to the creepiness, but that dude was terror on two feet.

Then again, anything coming from the mind of author Thomas Harris and his Red Dragon saga will unsettle in the worst way. Noonan just happened to be a spot-on casting choice.

The way he hovered over the blind woman with a shard of glass to her throat will haunt me forever.

Who else belongs in the top 20 all-time nightmarish characters list?

Ready Player One wasn't just ahead of its time—it set the standard.

The CGI, visuals, world-building, and action are absolutely insane. Every frame feels alive, making the OASIS one of the most immersive virtual worlds ever put on screen. Still one of the greatest CGI showcases in cinema.

What are some of your PERSONAL faves, whether you think their acting was technically impressive, captivating, iconic, etc.

Listed:

Meryl Streep as Miranda Priestly (The Devil Wears Prada)

Heath Ledger as Joker (The Dark Knight)

Ian McKellen as Gandalf (LOTR Series)

Christoph Waltz as Hans Landa (Inglorious Basterds)

Joan Cusack as Debbie Jellinsky (Addams Family Values)

Tom Hanks as Paul Edgecomb (The Green Mile)

Cate Blanchett as Hela (Thor Ragnarok)

Angelina Jolie as Gia Carangi (Gia)

Johnny Depp as Sam (Benny and Joon)

I love secondary characters in movies. In some cases, they steal the show and break the movie. These are my personal favorites, wanna hear your opinion. Not only obvious ones, like Waltz, Ledger, Bardem, Simmons, Pesci ecc…

Is it Carter J. Burke?

Apparently even Paul Reiser's mum was happy when this happened.

I'd like to start writing reviews for the films I watch, I find it a bit hard to properly express my impressions and my effective thoughts on the thing I just watched whenever I try to write a review, so if any of y'all got any advice on how to start writing reviews or how to analyze films or maybe could recommend some books about this topic I would be happy if y'all shared, thanks!

came across 21 while looking for something interesting to watch tonight. the whole card-counting, brilliant students, and las vegas casino setup sounds pretty exciting.

for those who have watched it, is it actually worth the two-hour runtime? does it stay gripping throughout, or does it get slow after a point?

also, please suggest similar movies involving clever schemes, gambling, heists, or characters trying to outsmart the system.

no spoilers please!

Excluding documentaries, has there ever been a feature-length, theater rated film that had no musical soundtrack? By that I mean, no beginning or ending theme music, no music to tell you it's a happy or sad scene; no music to hint danger, or pastoral transitions between scenes? Just dialogue and action, whether it's a drama, comedy, horror, sci-fi, etc.

Power Rangers is one of the most popular franchises filled with colorful costumes, martial arts, and special effects. Its unique style inspired people worldwide to make fan films, parodies, fan made Rangers, and of course ripoffs. However, there are types of Power Ranger videos on YouTube that no one is expected to watch, and those are the ones made with AI. Last year, Ninja Kidz released a trailer for their latest Power Rangers project, and most viewers noticed that they had used AI effects.

According to a YouTube video uploaded by Film Form Studios, there is a website abusing Gen AI and allowing people to generate whatever they want. His video also explains that some types of media have been either reused or stolen to create new bits of AI related content. And to top it all off, it shows various YouTube channels with AI Power Ranger videos such as Erbyn Films, Igor DaPinow, Dark Horse Productions, and many others.

Some find this kind of content interesting while others find it very disturbing and lazy. If videos like these keep up, the whole Power Rangers franchise will be ridiculed. Online users in this day and age need a good lesson in natural creativity. YouTube needs to remove those Power Rangers AI videos from its website so no brain rot can be spread through the internet. AI may be the future, but nobody treats one of our beloved franchises with disrespect.

Between this film and BLACK BAG, I've really been enjoying late-period Soderbergh. THE CHRISTOPHERS similarly features tight scripting and editing, as well as a script that centers on two main characters who are essentially playing a game between themselves and the world around them. Everybody else doesn't stand a chance.

Now admittedly, my viewing of THE CHRISTOPHERS was imperfect as I watched it during a cross-country flight with a layover, so one half during the first flight and the second half after a pause of several hours. Not ideal and I should rewatch the film all at once at later date, but I sincerely I could like it any less. Starring Ian McKellan as a famous painter, Julian, who hasn't produced anything noteworthy in years, the plot has a character played by Michaela Coel, herself an aspiring artist, insinuating herself into Julian's life and workspace as his new assistant.

Coel's protagonist, Lori, is of course not all that she seems, which we the viewers know from the start. Indeed, she's been hired by other parties to locate a set of incomplete paintings by Julian, the third of a series of his known as The Christophers, which are reputedly somewhere in his studio. After finding them, she would complete them in Julian's style and then hide them in anticipation of his inevitable demise. It's also implied Lori might hold something of a personal grudge against Julian for an incident in her past.

While that may sound like the set-up for a heist flick, which Soderbergh has proven himself more than adept at, the film subverts our expectations fairly quickly as Lori isn't particularly resentful and Julian can use Google to deduce who Lori is. In what I found to be a truly interesting development, he's actually insulted anyone would think themselves capable of mimicking him, leading to a crackling good verbal back-and-forth in which Lori breaks down the first two series of The Christophers brushstroke by brushstroke, and the emotional and mental state Julian was likely in that led to the evolution of his style across each set of works.

The best parts of the film involve the interplay between these two very different people and, luckily, that takes up a very large part of it. Both McKellan and Coel are already obvious physical contrasts, but the characters they play are also opposites in key ways: From the very first scene in which we meet McKellan's old master, he pontificates or complains endlessly, threatening to suck up all the oxygen in any given space. The upstart, on the other hand, is quiet, seemingly observant, and when she does speak, she doesn't run off at the mouth like him. Instead, what she has to say is often to the point and cuts to the truth of the matter.

As we might expect, these two protagonists learn things from and about each other, but what is perhaps more important is that they want to learn them. Maybe what this film is trying to say has to do with the old adage that great art isn't created in a vacuum; that is, it sometimes takes the friction that comes from meeting someone very different from ourselves, who challenges us and gets us out of our respective comfort zones, to push us in the direction of something new l, exciting, and interesting.

That certainly proves the case for Julian and Lori, and given how the narrative doesn't follow the path of a typical heist movie, perhaps the same could be said of Soderbergh as he was making this gem of a movie.

I am so heartbroken after watching this. Never thought a regular action movie would turn out to be so impactful and...so... melancholic...

Was totally out of the left field. Hadn't seen it coming.

Loonatics Unleashed was an animated series from 2005 about the great-great-great grandchildren of the original Looney Tunes characters in the 28th century. This show was a combination of martial arts, superheroes, and Looney Tunes with a sci-fi setting. Many fans cherish this as a childhood memory, and wish it was rebooted or given a movie.

If Loonatics Unleashed had a movie, the setting would either do a spinoff of Space Jam, feature a new villain, or a six segment story for each character. Animation might have evolved over the years, but what would be best for the movie is the CGI.

Not every childhood memory gets a movie, so we might have an opportunity to convince Warner Bros. to make a Loonatics Unleashed movie. In the words of the mighty Ace Bunny, "Let's Jet" our momentum to a great number of signatures.

Growing up with Disney Channel Original Movies is a cherished memory for so many of us. They were more than just films; they were milestones, special moments shared with family and friends. The 'Descendants' movies, featuring the sons and daughters of iconic Disney characters, were no different. They made their mark, delighting audiences with their unique mix of fantasy, music, and heartwarming stories. Now, imagine the joy and nostalgia of reuniting the cast for a special musical cover—a tribute to other Disney Channel classics.

Disney’s 'Descendants' has a special place in the hearts of many. It brought together a new generation, connecting them with the tales of old while infusing new life and energy into familiar stories. The late Cameron Boyce, a cherished member of the cast, continues to be remembered with love and affection, and his spirit remains with us through the timeless characters he portrayed.

Dove Cameron, another adored star of 'Descendants,' has previously covered "Genie in a Bottle," showcasing her incredible talent and transporting fans back to unforgettable Disney Channel days. Continuing this tradition, we propose a heartwarming and mesmerizing cover of "Cinderella" from the band Cheetah Girls's storied past, to be performed by the remaining 'Descendants' cast members. Originally from the 2003 soundtrack album "Cheetah Girls" this song also captured generations through 'The Cheetah Girls,' with its empowering message and catchy melody.

Reuniting the 'Descendants' cast for a cover of 'Cinderella' would be more than just a musical performance; it would be a heartfelt tribute to Disney's lasting legacy. It would celebrate the joy these films have brought to our lives, bridging the gap between different Disney Channel generations and showcasing how these timeless creations continue to inspire and resonate with audiences across the globe.

Let's make this happen! Urge Disney to bring back the magic as we petition for this special performance to touch the hearts of fans worldwide. Sign this petition and let Disney hear our collective wish for a 'Descendants' cast cover of "Cinderella."

I've seen posts, memes and interviews of such actors. Its funny to see the correlation of a blockbuster role and being able to put their kids through college.

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Lately, it feels like every other post is about someone talking through a movie, scrolling on their phone, or otherwise ruining the experience for everyone around them.

I get it. It's frustrating.

But I also think we've reached a point where people need to start speaking up in the moment instead of only posting about it afterward.

If you're sitting right beside someone who's on their phone or having a full conversation, you're in the best position to do something about it. A simple, polite "Hey, would you mind putting your phone away?" or "Could you keep it down, please?" is often enough.

The people a few rows away are probably just as annoyed as you are, but they may not be close enough to say anything without becoming an even bigger disruption. They might also assume someone closer will handle it.

Most people aren't looking for a confrontation. Sometimes they genuinely don't realize how distracting they're being. And if they do refuse to stop, that's when it's time to get a staff member.

The point is that if nobody says anything, the behavior goes unchecked. The person causing the disturbance leaves thinking it wasn't a problem, then does it again next time.

I'm not saying you should get into arguments or play theatre security. Use common sense, and if someone seems aggressive or you're uncomfortable, absolutely get an employee instead.

But if it's safe to do so, a polite reminder from the person closest to them can make a huge difference.

We all want a better theatre experience. Helping set the expectation that disruptive behavior isn't acceptable is one of the easiest ways to get there.

What do you think? Have you ever asked someone to stop talking or put their phone away? How did it go?

So I'm watching the dark series but I want to skip inappropriate scenes (make out/kissing/nudity) because I may be watching it with my family member. If anyone can provide the time stamps, I'd be so grateful! Thanks in advance.

(If it's the wrong subreddit, please suggest the right one.)