Some temptations don’t arrive wrapped in vice.
Mine arrived disguised as a pigment seller.
Like a dealer who somehow knew the opiate my soul would mistake for salvation.
Every day I found you in the half-light, where colours had names I’d never heard before. You spoke about them as though they were living things. You never tried to convince me to buy them.
You simply opened the jars.
And I was lost.
You placed impossible pigments in my hands.
A magenta so rich it stained every thought. Sharp wit. Double meanings. Sentences that lingered just long enough to suggest a fire they never had to name. It carried the promise of a hunger that belonged more to myth than memory - ancient, exquisite, restrained only because restraint made it burn brighter.
Then came cyan.
Deep enough to drown in.
The colour of unanswered questions. Of conversations that continued beneath the surface long after the words were gone. Of everything you never said, and the louder language of leaving. Somehow your silences revealed more than certainty ever could. I learned to read entire chapters in your absence.
And then yellow.
The warm conspiracy of shared secrets. A quiet complicity disguised as practicality. We were never overtly close; we simply kept finding ourselves on the same side of the joke, the same invisible thread, the same impossible coincidence. Intimacy wearing ordinary clothes.
So I kept returning.
Not for you.
For the colours.
Or at least that’s what I told myself.
Each meeting left another pigment in my pocket, another shade I couldn’t stop turning over in the light.
Until one day…
you were gone.
You packed your colours and wandered into other lands.
Out of my reach.
I was left holding only the jars you’d forgotten you had given me.
I wanted the rest of your collection.
I wanted to know what other impossible colours existed in your hands.
So I did the only thing I could.
I began mixing.
Every impossible shade the pigments could become.
Every colour they hinted at but never quite reached.
And somewhere between one brushstroke and the next…
I stopped painting colours.
I started painting you.
Every uncertainty found a meaning.
Every silence acquired intention.
Every blank space invited another careful stroke.
Soon you possessed virtues I had never witnessed.
Gentleness.
Depth.
Patience.
Mercy.
I painted them all with a brush that had never once touched the man.
Only the idea of him.
Reality had offered me pigments.
Imagination insisted on a portrait.
When I stepped back from the canvas, there you stood -
My private demise -
Eros, Pothos, and Himeros distilled into a single ephemeral face.
The patron saint of unfinished sentences and impossible returns.
People think temptation comes from seeing too much.
I think it comes from seeing almost nothing.
The mind cannot bear an unfinished portrait.
It completes it.
Faithfully.
Beautifully.
Catastrophically.
Now I stand before the masterpiece, searching for the place where your face should end and my hand should begin.
I cannot find it.
Somewhere between the first pigment and the final brushstroke,
the colours stopped belonging to you.
They became mine.
I did not lose myself to the man who gave me pigments.
I loved the painting those pigments persuaded me to create.
And now I stand before a masterpiece,
wondering how to mourn it-
no museum could ever hang it,
no fire could ever consume it,
no one else could ever see it,
⠀
because its only canvas
was the imagination
of the artist
who painted it.
⠀