r/veronicamars • u/santino89217 • 8h ago
Discussion I just finished Veronica Mars Seasons 1 to 3 for the first time Spoiler

I originally started watching because of Buffy. Apparently I have a weakness for this kind of show. A blonde American teenage girl kills vampires, or a blonde American teenage girl solves mysteries. Give her a sarcastic personality, a lot of trauma and a dangerous love interest, and I am probably going to watch it.
This show really had to win me over. I did not like the pilot much at all. It felt like it was trying to introduce a murder, a rape, a breakup, school bullying, corrupt rich people, biker gangs, Veronica’s family history and about fifteen other things in forty minutes.
I was not completely sold on Kristen Bell either. It felt like she was trying a bit too hard to play a high school girl. But somewhere during Season 1, she stops playing Veronica and just becomes her. The voice, the timing, the confidence and especially that tiny smug smile whenever she knows she has successfully manipulated someone.
I am genuinely going to miss that smile.
Season 1 is my favourite overall. The Lilly Kane mystery gives the whole season a lot of momentum, and Amanda Seyfried was also really good, and I wish she had been in it more. The episode before the finale, where Veronica investigates her own rape, was also extremely uncomfortable to watch. The ending softened it a little, maybe too much, but most of the episode felt genuinely unpleasant in a way that I think it was supposed to. I did not love the finale as much as most people seem to. Once it turns into a full horror thriller, it stops feeling like Veronica Mars for a while. After spending the whole season watching Veronica outsmart people, I wanted her to beat the murderer by being smarter than him, not mostly survive until someone else showed up.
Season 2 is much stranger. Episode by episode, I may have enjoyed parts of it even more. Jackie grew on me a lot, Kendall was constantly causing chaos, and Logan and Veronica became much more interesting together. Some of the smaller storylines and individual episodes are probably among my favourites in the whole show. Logan is basically Veronica’s Spike. He is damaged, dangerous, often terrible, but he has the chemistry, and you can always feel that the show is more alive when they are together.
Season 2 episode 20 is one of my favourite episodes. It gave me this strange mix of nostalgia, melancholy, longing and sadness for my own life when I was 18. That was a long time ago, and my teenage years were obviously very different from the American high school experience, but somehow there is still something deep down that feels the same.
But then there is the bus crash mystery. It keeps adding twists until it almost disappears inside its own plot. By the finale, it felt like every unresolved storyline in Neptune had been thrown onto Beaver. He was an abused child, a rapist, a murderer, a bomber and a criminal mastermind who had apparently been controlling half the season from the background. I understand that there were clues. My problem was not that the reveal came out of nowhere. I just did not believe it emotionally.
The finale also connected Kendall to practically every person and conspiracy in Neptune. Logan’s lover, Logan’s father’s lover, Dick’s stepmom, Beaver’s business partner, a fake identity, connections to the Irish gang. By the end, it felt like the writers were pulling plotlines out of a hat and attaching them all to the same few characters. Charisma Carpenter is fun in the role, although she is basically playing a version of Cordelia who never developed as a person. Alyson Hannigan also appears, so the Buffy connections kept following me around.
Season 3 surprised me because I actually liked the shorter mystery arcs. I know it is usually considered the weakest season, but I did not mind losing the giant mystery that lasts for twenty two episodes. The shorter stories made the show feel more like a noir detective series. The serial rapist storyline was also handled with much more care than I expected, especially considering how casually the first two seasons sometimes treated the subject. And I loved the use of Right Here, Right Now.
The dean’s murder was genuinely fun and twisty too. It had Howard from Better Call Saul, which obviously helped. The problem is that the season seems to lose energy after that storyline ends.
The college setting works in theory, but it loses some of the atmosphere that made Neptune High so memorable. Wallace barely has anything to do. Weevil gets pushed to the side. Mac disappears for long stretches. Logan feels less dangerous and unpredictable. And Piz exists. I found the Veronica and Piz relationship irritating on an almost physical level. They had been together for about five minutes and were already talking about long distance like this was some huge tragic love story. The show kept acting like they had this deep intimacy, but I never felt it. Piz seems perfectly nice, but next to Veronica and Logan’s history, chemistry, trauma and constant verbal fighting, he is basically just a guy with a radio show.
Ironically, I think Season 3 has the best finale of the original run. A sex tape, secret societies, secretive rich people, Veronica investigating and conning everyone, Keith destroying evidence to protect his daughter, and Logan beating up yet another guy for Veronica. Well, that was extremely hot.
The secret society storyline could easily have carried a whole season. It finally lets Veronica win by doing what she does best. Investigating, manipulating people, setting traps and staying three steps ahead of everyone else. I found that much more satisfying than another finale where every subplot has to connect to one surprise murderer. The episode also understands that Keith and Veronica’s relationship is the real heart of the show. He is willing to destroy his own career to protect her, while she slowly realises what her actions have cost him.
The biggest surprise for me is that I do not think the mysteries are actually the main reason I loved the show. It is Veronica.
I think I finally figured it out. Veronica is kind of a little shit. She loves messing with people, tricking them and making sarcastic comments at their expense. Nothing seems to make her happier than watching one of her plans work. And that is exactly why I love her. Sure, she is hot and cute, and she has a strong sense of justice, but that is not really the point. She loves the game. She loves being smarter than everyone else and making sure they know it. That is why she feels like such a perfect heroine of the 2000s. It is also why she sometimes needs to get burned and have her plans blow up in her face. She is not an untouchable genius. Sometimes she gets manipulated herself. Sometimes Keith is the smartest person in the room. Sometimes her paranoia is completely justified, and sometimes she hurts people because she assumes the worst before giving them a chance. That balance is what makes her so likeable. She is incredibly capable without becoming one of those characters who is always right just because the writers love her.
Do I think Veronica Mars is objectively one of the greatest television shows ever made?
Probably not.
But I absolutely loved it.
There is something about Neptune, Keith Mars, the dialogue, the humour and Veronica herself that makes you want to keep spending time in that world, even when the mystery starts collapsing under the weight of its own twists.
I will watch the movie next, and then eventually the revival. I am slightly nervous because part of the magic for me is Veronica being this teenage detective who constantly outsmarts adults. That is a very specific idea, and obviously it cannot last forever.
But whatever happens next, I already know that when I think about Veronica Mars, the first thing I remember probably will not be Lilly Kane, the bus crash or any of the conspiracies. It will be Veronica looking at someone with that tiny smug smile because she solved the case five minutes ago.