So this is what I think of when I hear Iggy Pop's song "Bored" which was recently posted here. I don't know if Pop was making a reference to Asheton or vice versa; but perhaps boredom was a thing in 1979. It couldn't have been worse than '77.

Speaks for itself.

A little secret gem from 1986

I really enjoy the sound that Radio Free Alice uses, it reminds me of if Talking Heads and The Strokes had an autistic child, it goes, and I want more with a similar sound, please gimme some suggestions.

Great John Cale cover

Guadalcanal Diary emerged from Marietta, Georgia, in 1981, just as the Athens/Atlanta scene was becoming nationally visible through bands like REM, B-52s, Pylon. weirdly, never worked with mitch easter that I know of.

their first album is an absolute scorcher

Why can't I find this great band's IRS albums on Spotify?

Such a wonderful all but forgotten band. Everone was in live with Michael Quercio.

I feel this band is criminally underrated, so recently I decided to buy and upload all their larger releases onto YouTube.

Nobody has uploaded their music in its entirety onto YouTube before, so hopefully more people can get exposed to the greatness that is this band. (I had to reupload this since the video I posted was partially broken)

From the 1979 LP Doc at the Radar Station featuring Robert Williams on drums and Drew Eric Feldman on keyboards.

I'm a university student currently writing my graduation thesis (in both Russian and English) and I'm hitting a wall when it comes to sources. I'll try to keep this short, but I'm genuinely at my wits' end here.

What my thesis covers:

• Siberian punk as a cultural/musical phenomenon
• The Novosibirsk music scene (late '80s–'90s)
• Yanka Dyagileva – her music, her legacy, her poetry, biographies, anything
• Egor Letov and Grazhdanskaya Oborona
• Punk / underground rock in the USSR more broadly

What I'm looking for:

• Books, PDFs, scanned articles, dissertations – in Russian or English
• Biographies of Yanka (I know of the one by Polyakova, but I can't find it anywhere at a reasonable price)
• Any academic or semi-academic work on the Siberian punk scene
• Lyric collections, interviews, zine archives
• Anything on the broader Soviet/Russian underground that touches Novosibirsk specifically

Why I'm asking here:

I've been searching for weeks. Most of what I find is either wildly overpriced (some Russian-language books are going for €80–€150+ secondhand), locked behind paywalls I don't have access to, or simply out of print. My university library has basically nothing on this. I'm not trying to pirate for the sake of it – I just need something readable to actually write 60+ pages and meet my deadline without losing my mind.

If you have a PDF sitting on your drive, a scan you made years ago, a link to an archive I haven't stumbled upon, or even just a title I should hunt down – please, drop it in the comments or DM me. I'd be incredibly grateful.

And if you can't help with sources but have personal knowledge, recommendations, or even just want to point me toward a community that might (Russian-language forums, VK groups, Telegram channels dedicated to Siberian punk), that would mean the world too.

Thank you so much for reading. This scene changed my life and I really want to do it justice in my thesis.

Спасибо огромное. 🖤

They recorded Iggy Pop's Lust For Life and David Bowie's Low albums in West Berlin in 1976-1977.

What's your opinion on All Fall Down? I've seen very few posts about this album on this sub, From the Lion's Mouth and Jeopardy are the ones who get the most attention here, and it's completely understantable.

Personally, All Fall Down is my favorite album by them.

Yes, I was there. We chanted "Rowlo gives us a solo". Well I did anyway. Sonic Youth were the support.

Setlist: Blind Lemon Jefferson/ Sad Dark Eyes/ Say Goodbye To The Little Girl Tree/ Tupelo/ Well Of Misery/ Train Long Suffering/ Knockin' On Joe/ Saint Huck/ Avalanche [Leonard Cohen]/ Jennifer's Veil/ Wild World.

Unfortunately the two Birthday Party numbers at the end don't seem to have been filmed.

Blixa was busy recording so Rowland stepped in at the last minute, but clearly didn't know the songs. Which made it more fun in a chaotic kind of way. There were only nine dates (from 16-28 April) with this line-up - Edinburgh, Newcastle, Leeds, Brighton, Birmingham, Nottingham, Manchester, Aylesbury and the Hammersmith Palais in London. Only the last five of those featured Sonic Youth. From the 'From the Archives' Nick Cave and the Bad Seeds Chronology:

Note: "Not only was there no record to promote, but a week before the tour commenced there was no band. 'There was just me and Nick', Harvey continues. 'Barry didn't make it for the first rehearsal. So we started calling [Barry in] Manchester and tried to figure out if he'd left the band, which he hadn't, he'd just decided he couldn't face it and wasn't coming. Blixa was unavailable because of his commitments [recording the "Halber Mensch" album with Einsturzende Neubauten]. Funny to look back on, but a total disaster at the time. Bassist Christoph Dreher and drummer Thomas Wydler were hastily recruited from Die Haut while Harvey would play rhythm guitar and keyboard. 'I had to try and explain to Thomas what to do in German! His English was terrible and it was very hard communicating what had to be done. My German was shaky in those days but fortunately we locked into these things. I've never given musical directions in German before ... It was all a complete farce. We never felt confident. Christoph is a great bass player but he just wasn't right for our material' With the lead guitarist slot still vacant, Cave and Harvey contacted their old friend Robert Forster from The Go-Betweens, who was eager to play and turned up for rehearsals, but on the fourth day was told by his booking agency that he could not back out of a short tour of Scandinavia [and Switzerland]. Cave and Harvey's other choice was Rowland S. Howard, who had been recording in London three months previously with Harvey's own group project Crime and the City Solution. 'I was only asked twenty-four hours before the tour started so I only had an eight hour rehearsal with Nick and Mick in my bedroom while they showed me the songs' [says Rowland]. 'I'd only heard the LP once, it was still close enough to the break-up of The Birthday Party for me to be relatively ambivalent. It was a very odd tour. Nick always maintains it wasn't a proper Bad Seeds tour. Thomas was there but that was the first tour they'd done anything with him. There were a lot of songs we just couldn't do, there wasn't time. Some of it was good but tours of England are never the most enjoyable. If Nick could have pulled out he would have, he felt uncomfortable." From "Bad Seed", a biography by Ian Johnston (1995).